Coffee Chaos – February 2014 (Lord of the Latte, Extended Version)

LordofTheLatte

If you haven’t figured it out yet, I am a Lord of the Rings junkie.  So when I saw this picture on Facebook without a caption, I had to steal it and with my magic staff knowledge of Photoshop and add a snappy little saying to it.

Although I love Lord of the Rings, it is ripe for a lifetime of parodies including a never ending parody on “Lord of the Latte” or “Lord of the Bean”  (starring none other than Sean Bean).  I could easily play the voice of Sauron in the morning before one drop of coffee. Here’s a sample:

Osh Gosh Bnosh Riptator Ungoly Bosh

In the black speech of Mordor this translates to,  God hurry up Mr. Coffee!  Brew faster you sucker!

I often wonder if my addiction to Colombian Supremo is a curse by some Colombian Dark Bean Lord named Sauron Valdez, the evil twin of Juan Valdez, because honestly there is nothing worthy hanging on to in life without coffee, well, other than the 5:00 wine hour.  Besides you need the alcohol in wine to counteract the caffeine in the coffee.  The balance of life on this upper earth is at stake.

Once I’ve had one cup I’m ready for my Gollum/Smeagol impersonation.  Here you can see me writhing as I fondle my coffee mug.  Yes, I wrote fondle, what of it?

It came to me, my preciousss’s’s (sic) Gollum

Nobody likes you! Gollum

After a pot of Supremo they do! Smeagol

No they don’t, coffee hog! Gollum

Go away.  I hate you. Smeagol

I can’t go away you fool. Without me you’d be nowhere. It’s the Supremo talking. Gollum

How my wife has stayed married to me for almost 34 years now is as mysterious as why the fellowship didn’t take Eagle Express Airlines to mount doom.  I mean, come on, I’m all for quests but 3 movies and 4 hours each contributes to obesity.  You have to consume 5 large cartons of popcorn and 3 monster soda’s to survive the extended version marathon.  Well, unless you are like me and then you just drink Supremo from beginning to end and actually look like Gollum at the end.  Then we get to add on the Hobbit trilogy extended version and actually convert to Gollum Couch Potato (PO-TA-TOE).

And speaking of Mount Doom, what fool invented decaffeinated coffee?  Do you drink decocoanated hot chocolate? Or alchol free wine, a Mai Tai, or Sneaky Tiki? Oh hell no you don’t!  Whoever invented this concept should be thrust into the flames for whence they belong.  For without caffeine, I do my most famous Sauron impersonation:

Osh Crappo Raggol Bean Def Dafool

In the black speech of Mordor this translates to, There is no life in the void, only decaffeinated death!

BoromirSaidCoffee

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Gandalf says, “This Cannot Be Filmed!”

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J.R.R. Tolkien once said his works could not be made into a film.  Of course the technology at the time was not sufficient for the grandeur of his imagination.  The movie trilogy is said by some to have stripped the deeper meanings of his stories to appeal to the 15-25 year old masses.  Even in the upcoming second Hobbit movie, there is a female elf added to the plot, to appeal to the female masses. Here is something else people didn’t know about Tolkien from a letter he wrote:

Tolkien included neither any explicit religion nor cult in his work. Rather the themes, moral philosophy, and cosmology of the Lord of the Rings reflect his Catholic worldview. In one of his letters Tolkien states, “The Lord of the Rings is of course a fundamentally religious and Catholic work; unconsciously so at first, but consciously in the revision. That is why I have not put in, or have cut out, practically all references to anything like ‘religion’, to cults or practices, in the imaginary world. For the religious element is absorbed into the story and the symbolism.”

This brings me to my epic high fantasy mythology.  My story could never be made into a film for the following reasons:

  1. It is too epic.  Consider part of the source for my final battle, the Bible.  That’s right, you are now automatically turned off, right?  We live in a era were any reference to religion is an automatic turn off.  Yet, the Bible has at its end the most epic battles ever written.  I incorporated this imagery into the siege of Masara, where one hundred and fifty thousand men, women and children of seven races unite to combat the gathering of all evil, some four hundred million.  Their task; to hold ground for forty days and nights, to make a stand for all that is worthy of life.  I will not tell you how it ends, other than it is a crescendo of emotions and visual imagination over load, as the mythical creator and his forces of good make their appearance. Such a film would be expensive.
  2. It involves deep hatred.  In order for us to recognize evil, we must recognize the most vile and hateful acts of humanity.  This includes torture, and the death of women and children. My stories are not graphic, just implied. We live in an era where sheltering ourselves from evil is to act as though it has or never will exist. Yet when evil does rear its head we question everyone, but ourselves, for allowing evil to enter our world.
  3. Beloved characters die.  To write a deeply emotional story, one must sacrifice even the most beloved characters.  Allowing ourselves to experience deep loss is shunned upon in modern society.  I recall reading how people had to have counseling after watching Avatar.  If Avatar so deeply affected your emotions of what is good and evil, then my story might also affect you.  Many viewers stopped watching the Game of Thrones because of the red wedding scene.  It was too horrific and many felt what was the point if the characters of good do not live and justice isn’t served.
  4. It is spiritual.  Whether you are a Christian, Jew, Muslim, Hindu or other; the story confronts our most often asked questions.  Who are we, what is our purpose, and does God (a creator or supreme being) truly exist?  Why are we allowed to suffer pain?  Is faith strong enough to survive life and are we altruistic enough to give our life to save others?  What is the purpose of an afterlife? Those who have been raised studying the Abrahamic religions will find areas of the story to connect with.  But for a Christian, they will discover it is not a christian story.  Christ or a Christ figure is no where to be found.  It involves the concept of complete and total free will, so that the mortal characters have no excuses for rising to the occasion, but my Christian friends do love the story and it does not offend them.
  5. There’s no sex.  Sorry, there are plenty of other stories you can read for that. There are references to the effects of sexual misconduct on society as a whole, but there is not a single reference to the one’s society constantly battles over in our present time.
  6. There’s no cursing. Again, I’m sorry. I wrote these stories to confront deeper issues than the use of boorish words thrown around so easily these days.  I kept them clean so that they can be told to children.

I constructed this mythology with numerous references to beloved stories who have influenced my thoughts.  You will find similarities to stories you already know.  The story encases spirituality and our most primal needs for love, acceptance, family and life.  It is story that attempts to point out the frailty of life on this planet and what we will lose if we do not stand together.

If you love the tales of Tolkien, ask yourself how deeply affected were you when you watched the Ride of the Rohirrim in the Return of the King?  Here’s a reminder of the scene:

I promise you this much.  I constructed this mythology to have the same emotional impact – times three!  But, I am not done with the battle or your emotions, as the ending will surprise you.

Take a chance if you are curious and stay committed to the very end.  Judge me then.  Don’t prejudge a book by its cover or the content of book one’s first nine chapters.  If it is not one of the better stories (conceptually) structured in the last several decades, then don’t take a chance on any of the upcoming chronicles series.

If you are one that is looking for new material for a major motion picture, read the story and tell me if it would not be an awesome one to film and cast.  I’ve now presented six reasons, six challenges, to why you won’t do it.  You can remain safe with comic book reboots and politically correct story lines, or you can take a chance, like those who did with Tolkien’s stories and deliver something a little deeper, yet thoroughly enjoyable for all members of the family, young and old, and for all the races of humanity. You will laugh, you will cry, and you will cheer.

One of my biggest fan’s is a 16 year old female. Her review can be found here on Goodreads.  Now 16 year old readers are not literary giants, they do not spot many grammatical errors, they just read to enjoy a story, but she gave me the ultimate compliment of my life:

“I’m a huge J.R.R. Tolkien fan, but I have to say that this was 100 times better than the Lord of the Rings, the Hobbit, and the Silmarillion combined!”

Now you be the judge.  Is it a story worthy of the big screen?

Context & Construct

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I visited with my sister this weekend and we spoke about my trilogy.  She has a masters degree in creative writing.  She has tried to read my trilogy but states all the other authors and editors do not write the way I write.  That you must hook people quickly into your story.  I understand completely her viewpoint, this is what the majority opinion is.  But I have to ask a simple question.  How creative is this? If we all march to beat of the same drums, aren’t we just robots catering to the machine?  Do you ever feel like you are reading the same story over and over again, with just a few new character names and locales?  Don’t you know what sex is by now?  How many ways can you spin eroticism and vampires?  I’m not knocking these authors or readers, but don’t you want a change of pace?

I am a CPA.  I am analytical, linear and logical.  I have done computer programming which must be controlled by logic with “”If this, then this, else this” type construct.  I literally despise stories without context and logical construction.  I have heard people say,

“I want a quick and fun read.  I do not wish to think.”

If this is true then my stories will not appeal to you.  If you like books like the The Shack or the Life of Pi, then you are seeking a book with a deeper meaning of life and spirituality.  Yes, it has to be entertaining, but don’t you want the ground work established first?  Here is how I constructed my trilogy based on my love for J.R.R. Tolkien’s wonderful and mesmerizing world of Arda and Middle Earth.

Book 1 – Rise of the Fallen, Chapters 1-9 are the history of the universe and Allivar.  Think of the Silmarillion in a compressed form.  A mythology must have an origin narrative. There must be a narrative on the source of evil and the history to create the myths of immortals and heroic mortals. These chapters establish the construction of all that follows and provides subtle clues to the surprising ending of the story.  If you rush through this, you will definitely miss the point of the story.  Sorry, I didn’t spend ten years just to have battle scenes, sex and a pointless battle over a throne.  My story is much deeper than this.

Chapters 10-16 begins the story of the hero in the dawning of the seventh age of Allivar.   Like the Fellowship of the Ring there is the bonding of characters of various races on a journey the Chosen One was selected for, which is to determine if mortals are worthy of life.  If you wish, just jump to Chapter 10 and begin there.  Then maybe one day you will want to go back and have context of the origin of my mythology.

Now this book cannot be more exciting than book two, nor can book two be more exciting than book three.  There must be a crescendo of action and emotions.

Book 2 Bound to Forbidden Lands ratchets the excitement after all the ground work was established in book one.  The Two Towers gave readers the thought that all would be lost, but that the faith in men would rise to counter the acts of evil.   We were left begging for the conclusion with the Return of the King.

Book two introduces romance and the continued rise of evil, an epic coliseum battle, fighting with dark demons and a journey through lands, guarded by dragons and watchers, the hero has been told to avoid.  But he has no other option.  The ending of the story must compel you to read the third story, so it has a cliff hanger unlike any you will ever read. He lives!

Book 3 – Last Stand of the Living is the culmination of the entire mythology with the greatest mythological battle ever to be written, where the fate of the universe will be decided, and where mortal and immortal alike come to battle. Here you will finally understand all that was written in the first nine chapters of book one.  I recall the Return of The King’s influence on the ratcheting of the battle scenes and emotions with the arrival of the Rohirrim and the eventual defeat of Sauron.  Readers who have taken the challenge to read my trilogy are utterly exhausted emotionally in this third story.  For the creator of the universe makes his stand with the seven mortal races.

I can guarantee you this much; you will laugh, you will cry, and you will cheer.  You may even contemplate life as we know it, for it is allegorical to our times.

But I am not done with you yet.  Forthcoming are the Chronicles of Allivar, sixteen stories, equally as intriguing as the trilogy. It introduces a parallel journey of the Armies of Light and the heroes of the six ages.  Here the compressed history is expanded, laying a blueprint for the construct of an equally exciting series.

You see, I have constructed a mythology using a linear approach from origin to the end of time, with proper context so that you don’t end the series wondering what happened to certain characters who dropped out.

You have a choice. Follow the cookie-cutter formulaic stories and construct that the masters and literary gods tell us that must exist, or take a chance on something new, independent, original, and frankly – creative.

My final point is this.  Many people take life way too seriously.  They seek affirmation from others of their worthiness in this lifetime.  They wish to dominate life by determining who is allowed to participate in the private clubs of industry and intellectual institutions.  They control who will be successful and who will not, through regulation, etc.  The publishing industry loves to bully, yes I wrote bully, to tell you another person’s attempt at writing is garbage because they weren’t involved in the editing, distribution and profit-sharing aspects of your creativity.  They belittle every person or story that reaches success independently.  I do not like erotica, but I applaud E.L. James for dispensing, once and for all, that only the publishing Gods know what stories will interest you.

Self-publishing has provided an opportunity for those of us who love to tell stories, even with grammatical errors, to remain independent and reap the potential success of our own risk. This was once referred to as entrepreneurship, not vanity publishing.  Vanity should be described as the envy of others who have not found a way to piggy-back on your imagination.

In the end, it is you the reader who independently defines what stories are good or not.  I am going to keep writing because one day I can tell them to my grandchildren.  Like Tolkien, these are the stories I want to read, but are not being produced by the publishing Gods.  I hope one day you will find my stories appealing enough to tell to your children and others.

To my sister, I have to say this, do not waste another second of your life looking for the accolades and affirmation of others.  Their aim is profit-motivated and honestly, quite vain.  The only one responsible for your happiness is you.  Life is risk and by not taking any risk, for the fear of the opinion of others, including your own family, is not living.  Stephen King said it best in his story, The Shawshank Redemption:

“Get busy living or get busy dying.”

Faith

Unseen

Since late 2011, I have been promoting my trilogy, The Chosen One of Allivar.  The story is a mythology which requires creation, life and end of times.  I’ve sold quite a few, but reviews and ratings have been very, very difficult to receive.  I’ve been told it is very good, but apparently posting a review is too difficult.  I have restrained myself from marketing it as a faith based story, because too many would never read it.  Chapter one in Rise of the Fallen starts out very similar to Genesis.  The tale of the fallen Charafuse (Angels) is very similar to that of the Satan story, and there are many inferences to stories in the Bible.  I did this for a marketing purpose, to bring familiarity to my story of the three Abrahamic religions of which there are more than a billion potential readers, nothing more.  What may appear as a religious story, is not. Here is a definition of religion:

Religion is an organized collection of beliefs, cultural systems, and world views that relate humanity to the supernatural, and to spirituality.

Since we live in a period of history where mythologies, even with the slightest hint of a creator, is deemed religious by the secular society, I will then market the trilogy and the upcoming 16 chronicles stories as a series of stories of faith, hope and spirituality.  In the end, the story is about mankind’s ability to be proper stewards and provides thought on immortal life.  It revolves around free will, family, spouse, children, races, and even the animals.

In the year 1999, I was challenged by a friend to write a story centered around a creator as the source of good, rather than the benign references in many stories.  Stars Wars has the “Force”, Lord of the Rings had the power of the elves given to them by Eru (The One), and Narnia has Aslan the Lion who is a representation of Jesus.  Robert Jordan, the author of The Wheel of Time has a creation story very similar to Christianity. George RR Martin refers to the old and new gods.  Gods lay down laws and the expectations of their creations.

In the end, the story is one about faith in something greater than ourselves and how one man is chosen to deliver the enslaved and a message to all of the living. The words Chosen One, do not refer to Christ.  Christ was God incarnate.  My hero is a mere mortal, asked to rise to the greatest challenge of all – to unite the seven divided races and stand against evil, before there is nothing left but death, darkness and eternal silence.

You will notice many inferences to other mythologies such as King Arthur and that created by Tolkien.  You will see the influence of Dante’s Inferno and Milton’s Paradise Lost.  In its simplest of form it is derived from this popular quote:

“The only thing necessary for the triumph of evil is for good men to do nothing.”

It is spiritual, highly emotional and so very human of a story.  It is allegorical, it has meaning and a moral behind it.  Will we the living finally become the stewards we were meant to be?  This is the question and should challenge all those who have faith and hope that there is greatness in and after life.

So now I submit to all those who love stories of faith, whether it be Life of Pi, The Chronicles of Narnia, The Wheel of Time, or another story I have not yet read – take a chance on a timeless story of good and evil and faith in things unseen. I am not asking you to convert to anything, follow me, or start a cult, but to enjoy a story – that’s all.  I promise you will be crying and cheering at the same time.

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The Significance of Seven

Seven

I am in the midst of writing a mythology that will consist of nineteen stories.  Nineteen has no significant meaning, but here is why there are nineteen:

  1. A trilogy (The Chosen One of Allivar) with the brief history of creation of ten heavenly worlds and through the first six ages of Allivar, prior to the introduction of the seventh age and my main character, Arimar. (3)
  2. A chronicles series of nine stories that explore the fall of nine of ten heavenly worlds. (9)
  3. A chronicles series of seven stories that represent all that took place in the six ages before the messenger and what was taking place that the messenger was unaware of as the seven races gathered and united to arrive on the final day of battle. (7)

And that is how I arrive at nineteen stories.  But let’s explore the number seven a little deeper.

Seven is a very unique number in mythology and religion.  Seven represents perfect completion as in the number of days of the creation of earth (whether you believe or not).  There are seven deadly vices and seven virtues.  If one masters the virtues, they are said to be perfect.   I have been fascinated with this concept in an Epic Fantasy setting.

Seven is a number found in many of our most popular stories, such as Harry Potter, The Lord of The Rings and the Songs of Fire and Ice. In The Silmarillion, there are seven Lords and Ladies of the Valar. Feanor has seven sons. In my trilogy, Arimar is the seventh son, of the seventh line of the prophets.  My mythical creator creates seven races as a test of racial harmony, and creates 686 total beings (7 races times 7 males and 7 females) = 343 times 2 = 686.  I did this so that each race had seven couples from which procreation could take place without any inference to incest.

Arimar befriends the seventh son of the seventh father of each race.  He has six captains that follow him they position themselves at seven points of the Wall of Masara, to combat Haggarfuse, the leader of the seven fallen Charafuse (angels).

In the final battle the Unseen, three of his loyal Charafuse and four Seramen come to battle (seven) and the armies of light, comprising the spirits of all the seven races who died not only on the nine fallen worlds, but in the seven ages of Allvar.

In the last chronicles series, you will be greeted by other references to seven, such as the seven swords, the seven underworlds, the seven hidden cities of gold, and the seven staffs of the prophets.  Who knows what I will add next, I’m only on book number five.  Come join me in this journey.  You will have a lot of fun along the way.

If you are intrigued by the number seven and how you can use it in a story of your own, here’s a wikipedia link

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Spiritual vs. Christian (Preconception)

Satan

We live in an era of heightened preconception: An opinion or conception formed in advance of adequate knowledge or experience.  In other words, we are as prejudiced as ever.

No matter how hard I try to explain most do not understand the difference between a spiritually based story and one based on Christianity.  I’ll do my best to explain.  My series of stories are a mythology, nothing more and nothing less.  It is an exploration into creation, our roles in this creation as mortals and our dealing with the consequences of immortal influence into our lives.

At the center of my trilogy is the main protagonist and hero, Arimar – The Chosen One of Allivar.  Some people love to argue that the title alone refers to Jesus.  I cannot disagree anymore.  Moses was chosen and he certainly was not Jesus.  If I had named the series Cassandra – the Chosen One of Apollo, would you be so quick to prejudge? How about Anakin Skywalker – The Chosen One?  That’s right! You love Star Wars, but behind all the high tech graphics is a story of good and evil, and prophecy.  This is also my story, set more in a Tolkien medieval fantasy theme.

Why my mythology is NOT a Christian story?

Christ was God incarnate sent to earth to take on the sins of mortals.  He died and carried our sins with him to demonstrate his love for us. Almost every fictional Christian story revolves around bringing us back to this concept.

Arimar is not God incarnate. He is as human as you and I.  In book nineteen, yet to be written, I will reveal why he was the chosen one by the creator – the Unseen.  This is as simple as I can explain it.  Arimar converses with his creator, but he is not sent to save the world of the living, but to deliver a message.  He is only a messenger.

Why my mythology is a spiritual story?

I believe in a creator, good and evil, and in an afterlife.  This means I believe in both a physical and metaphysical life.  I believe we have a purpose to play in life and thereafter.  What is that purpose?  The end of the third book of the trilogy gives you an idea of this author’s concept of that purpose.  If anything, it is meant to challenge our minds.  At the center of my story is the concept of free will.  Will we, the mortals, choose to do the right thing when the end of times is at stake? Do we really love this paradise created for us?

I created the Vanavaran race, what we might call the race of Africans, to demonstrate evil’s use of preconception.  Why do people fear black people?  What is our source of preconception?  It is innate or taught?  Where was its origin?  In my story evil immortals convince the other living races that they are demons amongst us from the abyss of darkness, willing to take souls to keep them mortal.  It is obviously a lie, yet a valid point – we are all inclined in one way or another to have preconceptions.  We do this every day if you are honest with yourself – we take sides on political, religious, racial and other societal or moral issues.  We rarely engage in civil debate, because we have convinced ourselves the opposing viewpoint is already flawed.  Life is full of propaganda, yet we are given free will to seek the truth. All that is necessary is for good people to have an open mind, free of preconception, and inclined towards action to making a better world.

Here is one of my favorite quotes of all time:

“The only thing necessary for the triumph of evil is for good men to do nothing.”

This is often attributed to Irishman Edmund Burke, who was a statesman, author, orator, political theorist and philosopher . Although it has not been found in his speeches, writings, or letters (and is thus apocryphal), in 1770 he wrote in Thoughts on the Cause of the Present Discontents that “when bad men combine, the good must associate; else they will fall, one by one, an unpitied sacrifice in a contemptible struggle.” (Source: Wikipedia)

Burke was not referring to the good and evil in the spiritual world, but the corruption of government, specifically the House of Commons.

Tolkien said it best in the Fellowship of the Ring, “Nine rings were gifted (given and freely accepted) to the race of men, who above all else seek power.” Power being the ability to dominate all life and control its outcome (to be one’s own God.)  Saruman preconceived that he too could share power with Sauron.  All to his own demise.

We are quick to believe in evil.  Our theaters are filled with stories of evil, yet very little exploration of the source of good and the battle taking place in the invisible realm.  Hopefully you will take a chance on these series of stories and learn that mortal preconception is not a good thing.  It can and will be used against you, evil knows this, for you are so willing to be deceived by your own preconceptions.

This September, I release the fourth book of this mythology – The Fall of Helloria.  The first in a new series of nine stories that chronicle the fall of nine heavenly worlds.  I will explore many spiritual and philosophical concepts presenting both an exciting and mentally challenging journey.  I hope you choose to come along with me.

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The Cosmic Snowball

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Look ma, it’s me!

Last night I found myself in a heated discussion with my daughter over my trilogy.  I am reformatting the stories under my publishing company control and I am going to insert a Prologue.  I truly hate prologues, but apparently we live in a period of time where readers want a snippet of the story before deciding to invest their time and a whopping $2.99.  My trilogy is a mythology, it is not espousing a religion. A mythology, to which there are numerous ones throughout all of human history, deals with the creation story by a god or gods, the interaction of mortals and immortals and the end of times.

She believes my main character is the savior figure – Christ.  First, Christ was God incarnate so that he could communicate with the living. Second, Christ died solely for the purpose of collecting sins to demonstrate God’s love for his creation.  My hero is neither of these. He is as mortal as you or I. Then she had an issue with the word “creation” and insisted her generation could not tolerate the connotation with the word.  Funny how we can watch movies about Perseus and the God Zeus and find enjoyment.  Maybe they have not yet read classical Greek and Roman mythology.

This is where I lost it, sorry, but if our youth cannot bear a story of good versus evil, where good is derived from a creators will, then please read and reread all the erotic vampire and comic book reincarnations of Spider Man to satisfy your intellectual cravings.  An author that sacrifices his story’s integrity to the political correctness of the day, is not much of an author. I was raised in a period of time where skepticism was taught, but that seeking knowledge was encouraged to understand the opposing point of view, we were much more tolerant than we are today.

If the creation aspect of my story reminds you of the bible, it was because I wanted to bring an air of familiarity to those readers of the three major religions of Abraham. This is for marketing purposes only. I have had Christians say it is not a Christian story.  You know what?  You are right – it is not, nor has ever been intended to be a Christian story.  But I think Christians might just enjoy it immensely and give cause for discussion.  We supposedly live in a period where racial tolerance is sought.  Guess what, my story deals with this.  People will line up and spend their paychecks watching Avatar over and over again, and then have to visit their shrinks because they wish we lived in a world where the environment and habitat of others is respected and protected.  Guess what, my story deals with this too. It deals with the human condition, especially family, in a mythological setting with an allegory of the troubles we find in our world today.  Will we humans do what is right and good to save this world?

Did anyone ever wonder who Gandalf  was and where he came from? Guess what, Tolkien has a creation story too, yet we love his creation and wish for more.

“There was Eru, The One, who in Arda is called Iluvatar; and he made the first Ainur, The Holy Ones, that were the offspring of his thought, and they were with him before aught else was made.” – The Silmarillion.

Notice the word “made”, now does this offend you?  Or would you prefer manufacture?  Certainly we can’t have “The One”, or “The Unseen”, or “The Lord of Light and Life.”  And please remove “The Holy Ones” for our youth’s delicate sensibilities.

My point is simple and to the point, I inserted the creation story as context and support for all other stories that will follow, nineteen in all.

If anything regarding spirituality and spiritual beings offends you, then maybe a new breed of author should arrive and write that you are nothing more than a collection of dirty molecules that rode around the great galaxy on a cosmic snowball.  Then you crashed and a new world was made, sorry, manufactured, and your molecules shifted and changed until you became sludge, then a fish, then an ape, and then evolved in all knowing political animal.  Now for me that would be pretty boring and not challenging for the mind.

Oh and please never question the origin of good or evil in Star Wars, Harry Potter, or other books and movies, it just might lead you on a quest to the realm of independent thought and discussion of what we are.  But if you are ready for a story, forged more along the lines of Lord of The Rings, then satisfy your curiosity and then send me a message if you want to calmly discuss issues of the entire story, etc. And if the review of a 14 year old female assists, here is what she had to say:

“It took a while for me to truly get into the book, but after the first few chapters, I was hooked! I loved how detailed the first few chapters were. The author gave me a great view of the history of the wonderful universe. I’m a huge J.R.R. Tolkien fan, but I have to say that this was 100 times better than the Lord of the Rings, the Hobbit, and the Silmarillion combined! The races of Allivar’s living beings are much more creative than elves, men, dwarves, hobbits, etc. I think that even if you were a person who doesn’t really care for fiction/fantasy, you would still be hooked on this book and perhaps change your opinion on those types of genres.”

Have a great weekend.