50 Shades of Love

I am going to go out on a limb today and ponder a question.  Is the popularity of 50 Shades of Grey a reflection of a bored society?

As a writer, it is my attempt to understand human nature so that I can provide a narrative to connect with readers emotions.  I ‘ve have not only read, but have been told that the book will spice up a marriage.  Are marriages in that much trouble?  I recall watching the movie based on Phillipa Gregory’s novel,  “The Other Boleyn Girl”, in a scene Anne confides with her sister that she finds herself doing the most unspeakable sexual acts to keep Henry’s attention in her.  I found this scene rather interesting, in the fact, that some women believe getting kinky is the way to keep a man’s attention in her.  Is this the message young women and middle aged women are lead to believe is the secret to lasting love in the modern era?  Some have suggested since I haven’t read the story, I have no room to critique it. I beg to differ.  I asked one of my friend’s wife would she sign a contract with a man she barely knows to agree to never speak about what is done in the bedroom?  What is the triggering signal that something is not right?  Somehow the backstory to Christian’s life and his abuse justifies the story line.

Let me give women something to ponder.  You read it in the news everyday, where some guy rapes a woman because he felt the woman was in the “right frame of mind.”  Where does this male thinking come from – movies, books, music, or conversations at the company water cooler?  Are men in the right frame of mind when we hear that 50 shades will “spice up” the bedroom?  How far should our experimentations go?

My wife and I discuss these topics often.  For 35 years we have openly discussed sex and love.  With a divorce rate of over 50%, will kinky sex decrease the trend, or will we opt out of a marriage as the easy excuse to justify when our partners no longer interest us?  We will continue to pretend that our careers and material possessions provide us happiness?  Will we find ourselves with the thought that a sexual partner’s only purpose is to provide self satisfaction?  Will women still believe they can “change” a bad boy?

I have read women defend the book as pure fiction.  Avatar too is complete fiction, yet many people suffered bouts depression after watching the movie.  Sales of adult toys are at record highs.  Pure fiction? The human mind is affected by many things. What we see, what we hear and what we read will impact us. Young minds interpret the signals differently.  My wife’s aunt was incredulous because we had no intention of seeing the movie, as though we wouldn’t have anything to discuss in social gatherings.  Are we truly this bored?

My perceptions of love are very different.  I am throwback to a different time.  I am an educated man, I recall much of what I learned in college including Maslow’s hierarchy, as described as follows:

1. Physiological needs, such as needs for food, sleep and air.

2. Safety, or the needs for security and protection, especially those that emerge from social or political instability.

3. Belonging and love including, the needs of deficiency and selfish taking instead of giving, and unselfish love that is based upon growth rather than deficiency.

4. Needs for self-esteem, self-respect, and healthy, positive feelings derived from admiration.

5. And “being” needs concerning creative self-growth, engendered from fulfillment of potential and meaning in life.

Maybe in the near future there will be a maturation in the stories our society wants to watch and read, supported by music which brings more love out in us.  When I was first listening to music as a teen in the 1970’s my favorite band was “Bread.”  Why?  It was at this time I began to notice the beauty of the opposite sex and how I felt when someone actually had interest in me.  After being with a girlfriend, which meant maybe holding hands or exchanging a short kiss, I was euphoric and the words in the music matched those feelings.  I discovered over the last few years a song by David Gates, that to me, expresses the highest level of love, of my own self-actualization, that one day I will leave this physical realm and be united for all eternity with my wife, whose smile to this very day can soften my anxieties.  I still want to feel the softness of her hand and take simple pleasure of displaying that love by holding her hand in public.  She has my admiration and respect when she is not in the mood.  Am I bored? Never.  There is so much more to life and love than sex and all its experimentations.  Maybe it’s time to make your own 50 shades of love list and share with your partner.

 

 

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Paradise and Soul Reborn

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We are born and lessons we must learn; to be possessed by our possessions only later to be burned, and adorn our homes and lives with accessories we think we yearn.

We run the race of affluency and gather in loud circles nodding agreeably and knowing we are not heard. We wonder why we do this and we wonder how it became so blurred.

In that moment at the summit of our success, we discover it was the valley that we truly missed.  We recall the freedom, the innocence and the simplicity of bliss.

We can continue on or trade all we possess, the last chance to be reborn. To connect our soul to the beauty and symphony of nature, for which we must all be returned.

Gandalf says, “This Cannot Be Filmed!”

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J.R.R. Tolkien once said his works could not be made into a film.  Of course the technology at the time was not sufficient for the grandeur of his imagination.  The movie trilogy is said by some to have stripped the deeper meanings of his stories to appeal to the 15-25 year old masses.  Even in the upcoming second Hobbit movie, there is a female elf added to the plot, to appeal to the female masses. Here is something else people didn’t know about Tolkien from a letter he wrote:

Tolkien included neither any explicit religion nor cult in his work. Rather the themes, moral philosophy, and cosmology of the Lord of the Rings reflect his Catholic worldview. In one of his letters Tolkien states, “The Lord of the Rings is of course a fundamentally religious and Catholic work; unconsciously so at first, but consciously in the revision. That is why I have not put in, or have cut out, practically all references to anything like ‘religion’, to cults or practices, in the imaginary world. For the religious element is absorbed into the story and the symbolism.”

This brings me to my epic high fantasy mythology.  My story could never be made into a film for the following reasons:

  1. It is too epic.  Consider part of the source for my final battle, the Bible.  That’s right, you are now automatically turned off, right?  We live in a era were any reference to religion is an automatic turn off.  Yet, the Bible has at its end the most epic battles ever written.  I incorporated this imagery into the siege of Masara, where one hundred and fifty thousand men, women and children of seven races unite to combat the gathering of all evil, some four hundred million.  Their task; to hold ground for forty days and nights, to make a stand for all that is worthy of life.  I will not tell you how it ends, other than it is a crescendo of emotions and visual imagination over load, as the mythical creator and his forces of good make their appearance. Such a film would be expensive.
  2. It involves deep hatred.  In order for us to recognize evil, we must recognize the most vile and hateful acts of humanity.  This includes torture, and the death of women and children. My stories are not graphic, just implied. We live in an era where sheltering ourselves from evil is to act as though it has or never will exist. Yet when evil does rear its head we question everyone, but ourselves, for allowing evil to enter our world.
  3. Beloved characters die.  To write a deeply emotional story, one must sacrifice even the most beloved characters.  Allowing ourselves to experience deep loss is shunned upon in modern society.  I recall reading how people had to have counseling after watching Avatar.  If Avatar so deeply affected your emotions of what is good and evil, then my story might also affect you.  Many viewers stopped watching the Game of Thrones because of the red wedding scene.  It was too horrific and many felt what was the point if the characters of good do not live and justice isn’t served.
  4. It is spiritual.  Whether you are a Christian, Jew, Muslim, Hindu or other; the story confronts our most often asked questions.  Who are we, what is our purpose, and does God (a creator or supreme being) truly exist?  Why are we allowed to suffer pain?  Is faith strong enough to survive life and are we altruistic enough to give our life to save others?  What is the purpose of an afterlife? Those who have been raised studying the Abrahamic religions will find areas of the story to connect with.  But for a Christian, they will discover it is not a christian story.  Christ or a Christ figure is no where to be found.  It involves the concept of complete and total free will, so that the mortal characters have no excuses for rising to the occasion, but my Christian friends do love the story and it does not offend them.
  5. There’s no sex.  Sorry, there are plenty of other stories you can read for that. There are references to the effects of sexual misconduct on society as a whole, but there is not a single reference to the one’s society constantly battles over in our present time.
  6. There’s no cursing. Again, I’m sorry. I wrote these stories to confront deeper issues than the use of boorish words thrown around so easily these days.  I kept them clean so that they can be told to children.

I constructed this mythology with numerous references to beloved stories who have influenced my thoughts.  You will find similarities to stories you already know.  The story encases spirituality and our most primal needs for love, acceptance, family and life.  It is story that attempts to point out the frailty of life on this planet and what we will lose if we do not stand together.

If you love the tales of Tolkien, ask yourself how deeply affected were you when you watched the Ride of the Rohirrim in the Return of the King?  Here’s a reminder of the scene:

I promise you this much.  I constructed this mythology to have the same emotional impact – times three!  But, I am not done with the battle or your emotions, as the ending will surprise you.

Take a chance if you are curious and stay committed to the very end.  Judge me then.  Don’t prejudge a book by its cover or the content of book one’s first nine chapters.  If it is not one of the better stories (conceptually) structured in the last several decades, then don’t take a chance on any of the upcoming chronicles series.

If you are one that is looking for new material for a major motion picture, read the story and tell me if it would not be an awesome one to film and cast.  I’ve now presented six reasons, six challenges, to why you won’t do it.  You can remain safe with comic book reboots and politically correct story lines, or you can take a chance, like those who did with Tolkien’s stories and deliver something a little deeper, yet thoroughly enjoyable for all members of the family, young and old, and for all the races of humanity. You will laugh, you will cry, and you will cheer.

One of my biggest fan’s is a 16 year old female. Her review can be found here on Goodreads.  Now 16 year old readers are not literary giants, they do not spot many grammatical errors, they just read to enjoy a story, but she gave me the ultimate compliment of my life:

“I’m a huge J.R.R. Tolkien fan, but I have to say that this was 100 times better than the Lord of the Rings, the Hobbit, and the Silmarillion combined!”

Now you be the judge.  Is it a story worthy of the big screen?

Meet Kyra Dune: Web of Light

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From time to time I spotlight a fellow indie author.  Why?  Have I read the book and endorse it?  No, spotlighting an indie author is the most cost effective way indie authors have to advertise their stories.  If you follow me at all you will know I am a good spirited person who believes that a simple act of kindness is what will make for a better world.  Besides, Kyra writes about dragons and that can’t be bad.  If you are looking for something new and independent, give her works a try.  Who knows, you may find a new favorite author, and if you do, please pay forward the kind act with a rating or a review.

NEW RELEASE: Web of Light by Kyra Dune
Genre: YA Fantasy
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Book Trailer

When Queen Eanndra calls the leaders of the Territories and their heirs to Star Mountain for a Conclave, none of them expect to have their lives changed forever by the repercussions of a war that ended three hundred years ago.

With the return of the Web of Light, chaos and destruction must surely follow.

Sides will be chosen.
Friendships won and lost.

For within every heart lies the dark seed of betrayal.

Excerpt:

His mother had always warned him to beware of the gods. They were a capricious lot, she had said, with little care for the frailty of mortal life. And if one was calling Seva into the temple, then her life was at risk.
Valdor didn’t hesitate, didn’t take even a moment to think on what might happen, he simply ran. What he hit was not a solid wall, but a sort of thickness. For him, passing the statue was like walking through water with weighted feet. The air pressed against him, trapping the breath in his lungs. And it was cold. So cold what little breath he could manage frosted before his eyes.
He broke free to the other side as Seva entered the temple. After glancing back once at the other heirs, Valdor sprinted across the open space and up the steps to the door. There, he paused. Before him was a wide chamber, almost every inch of which was covered with a mosaic depicting a bloody battle between figures unlike any creatures he had ever seen. It hurt his mind to gaze too long upon any one of them.

Instead, he focused his attention on Seva, who was standing in the only clear spot in the chamber. A twisted rope painted on the floor made a circle around this spot and above it a Gari-Za woman in flowing gray robes sat on a throne of flames. A benevolent smile touched the woman’s lips, but her eyes were cold black orbs.

Seva’s head was tilted back as if she were looking up at the woman, but her eyes were closed. Valdor moved cautiously forward, wincing as his footsteps echoed in the silence. His lips parted and he started to speak her name, but the word wouldn’t come. The feeling in this place was something so foreign to his senses he couldn’t name it. It crawled across his skin and made his ears buzz.

He came to a stop when he reached the rope circle. Fear was an acid taste at the back of his throat. Much as he wanted to reach out for Seva, there was a deep feeling of alarm inside him that would not allow his feet to move forward.
If things had gone on much longer, he might have worked up the nerve to do it, because he was not really as much of a coward as his father had made him believe he was. But he didn’t have to.

Seva’s entire body bucked, her back arching and her neck snapping back. She drew in a gasping breath, then collapsed. Valdor caught her before she hit the floor as her upper body crossed the line to his side. She shivered as if cold, then grew still. Valdor pulled her the rest of the way out of the circle, then lifted her up into his arms. She was light, but he was unused to such labor and staggered under her weight. Still, he managed to carry her out of the temple.
Once they were down the steps and crossing the open space, Seva stirred and her eyelids fluttered open. Valdor gazed down into her bright blue eyes and was lost. Any uncertainty about his feelings toward her evaporated in that moment.

“If I put you down, can you walk?” he asked.

“I…I think so. Yes.” She looked over his shoulder toward the temple. “What happened in there?”

“Don’t you know?” He carefully put her back on her feet

Her eyes met his again as she shook her head. “I remember looking up at the statue and hearing Iza talk about the chosen one. Then everything is a blank. Except…” She laid a steadying hand against his arm. “I don’t know. I feel…something, but it’s…” She sighed. “I’m so tired all of a sudden.”

“Come on.” He slid his arm around her waist. “Let’s get you back to the carriage.”

Author Bio:

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Kyra Dune was born in Oklahoma, but spent most of her life travelling with her family. She is the author of eleven fantasy novels, including: Shadow of the Dragon, Elfblood, and Firebrand. As a child, her favorite stories were those that told of ordinary children being whisked away to magical lands. She has yet to find her own secret wardrobe or rabbit hole, but she hasn’t given up the search. You never know what might be waiting over the next rainbow.

Connect With Kyra:

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Buy My Books: Amazon

Context & Construct

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I visited with my sister this weekend and we spoke about my trilogy.  She has a masters degree in creative writing.  She has tried to read my trilogy but states all the other authors and editors do not write the way I write.  That you must hook people quickly into your story.  I understand completely her viewpoint, this is what the majority opinion is.  But I have to ask a simple question.  How creative is this? If we all march to beat of the same drums, aren’t we just robots catering to the machine?  Do you ever feel like you are reading the same story over and over again, with just a few new character names and locales?  Don’t you know what sex is by now?  How many ways can you spin eroticism and vampires?  I’m not knocking these authors or readers, but don’t you want a change of pace?

I am a CPA.  I am analytical, linear and logical.  I have done computer programming which must be controlled by logic with “”If this, then this, else this” type construct.  I literally despise stories without context and logical construction.  I have heard people say,

“I want a quick and fun read.  I do not wish to think.”

If this is true then my stories will not appeal to you.  If you like books like the The Shack or the Life of Pi, then you are seeking a book with a deeper meaning of life and spirituality.  Yes, it has to be entertaining, but don’t you want the ground work established first?  Here is how I constructed my trilogy based on my love for J.R.R. Tolkien’s wonderful and mesmerizing world of Arda and Middle Earth.

Book 1 – Rise of the Fallen, Chapters 1-9 are the history of the universe and Allivar.  Think of the Silmarillion in a compressed form.  A mythology must have an origin narrative. There must be a narrative on the source of evil and the history to create the myths of immortals and heroic mortals. These chapters establish the construction of all that follows and provides subtle clues to the surprising ending of the story.  If you rush through this, you will definitely miss the point of the story.  Sorry, I didn’t spend ten years just to have battle scenes, sex and a pointless battle over a throne.  My story is much deeper than this.

Chapters 10-16 begins the story of the hero in the dawning of the seventh age of Allivar.   Like the Fellowship of the Ring there is the bonding of characters of various races on a journey the Chosen One was selected for, which is to determine if mortals are worthy of life.  If you wish, just jump to Chapter 10 and begin there.  Then maybe one day you will want to go back and have context of the origin of my mythology.

Now this book cannot be more exciting than book two, nor can book two be more exciting than book three.  There must be a crescendo of action and emotions.

Book 2 Bound to Forbidden Lands ratchets the excitement after all the ground work was established in book one.  The Two Towers gave readers the thought that all would be lost, but that the faith in men would rise to counter the acts of evil.   We were left begging for the conclusion with the Return of the King.

Book two introduces romance and the continued rise of evil, an epic coliseum battle, fighting with dark demons and a journey through lands, guarded by dragons and watchers, the hero has been told to avoid.  But he has no other option.  The ending of the story must compel you to read the third story, so it has a cliff hanger unlike any you will ever read. He lives!

Book 3 – Last Stand of the Living is the culmination of the entire mythology with the greatest mythological battle ever to be written, where the fate of the universe will be decided, and where mortal and immortal alike come to battle. Here you will finally understand all that was written in the first nine chapters of book one.  I recall the Return of The King’s influence on the ratcheting of the battle scenes and emotions with the arrival of the Rohirrim and the eventual defeat of Sauron.  Readers who have taken the challenge to read my trilogy are utterly exhausted emotionally in this third story.  For the creator of the universe makes his stand with the seven mortal races.

I can guarantee you this much; you will laugh, you will cry, and you will cheer.  You may even contemplate life as we know it, for it is allegorical to our times.

But I am not done with you yet.  Forthcoming are the Chronicles of Allivar, sixteen stories, equally as intriguing as the trilogy. It introduces a parallel journey of the Armies of Light and the heroes of the six ages.  Here the compressed history is expanded, laying a blueprint for the construct of an equally exciting series.

You see, I have constructed a mythology using a linear approach from origin to the end of time, with proper context so that you don’t end the series wondering what happened to certain characters who dropped out.

You have a choice. Follow the cookie-cutter formulaic stories and construct that the masters and literary gods tell us that must exist, or take a chance on something new, independent, original, and frankly – creative.

My final point is this.  Many people take life way too seriously.  They seek affirmation from others of their worthiness in this lifetime.  They wish to dominate life by determining who is allowed to participate in the private clubs of industry and intellectual institutions.  They control who will be successful and who will not, through regulation, etc.  The publishing industry loves to bully, yes I wrote bully, to tell you another person’s attempt at writing is garbage because they weren’t involved in the editing, distribution and profit-sharing aspects of your creativity.  They belittle every person or story that reaches success independently.  I do not like erotica, but I applaud E.L. James for dispensing, once and for all, that only the publishing Gods know what stories will interest you.

Self-publishing has provided an opportunity for those of us who love to tell stories, even with grammatical errors, to remain independent and reap the potential success of our own risk. This was once referred to as entrepreneurship, not vanity publishing.  Vanity should be described as the envy of others who have not found a way to piggy-back on your imagination.

In the end, it is you the reader who independently defines what stories are good or not.  I am going to keep writing because one day I can tell them to my grandchildren.  Like Tolkien, these are the stories I want to read, but are not being produced by the publishing Gods.  I hope one day you will find my stories appealing enough to tell to your children and others.

To my sister, I have to say this, do not waste another second of your life looking for the accolades and affirmation of others.  Their aim is profit-motivated and honestly, quite vain.  The only one responsible for your happiness is you.  Life is risk and by not taking any risk, for the fear of the opinion of others, including your own family, is not living.  Stephen King said it best in his story, The Shawshank Redemption:

“Get busy living or get busy dying.”

Sacrifice

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A few days ago I blogged about the role of faith in an epic high fantasy story.  Now, if I mentioned faith and sacrifice in the same sentence would you automatically think, “Oh no, here comes a Jesus Christ reference!”

Think for a moment of a soldier.  A soldier is one who goes to battle to protect those he loves from what appears to be of evil intent.  He has faith in his commanders judgment and is willing to lay down his life for what he believes is the highest of chivalric and noble character – to give one’s life for something greater than himself.  Now, this certainly is no reference to Jesus Christ, who died to save mankind of its sins.

Now go one step further.  If a person received a command by the highest authority, his creator, and was supplied with gifts to set off on a journey to free seven enslaved races, knowing full well there will be tests and possible sacrifice, would you still insist the story was about Jesus Christ?

Here’s the setup.  The Unseen, the mythical creator of my universe, pondered the creation of life, both immortal and mortal.  What would happen and which would be more noble?  His first thought is that the immortals would be, so he creates ten to steward over ten heavenly worlds, until he sees very quickly that from free will there are those that will not submit to his authority.  He then creates mortal beings and for the immortals to be their stewards.  He then proclaims that one day from the line of the first prophet, in the seventh line, a seventh son, Arimar, the messenger, will be born and that all evil will attempt to destroy him and his followers.  The rebellious steward, Haggarfuse, unwilling to submit, designs to destroy everything and one-by-one nine worlds fall to complete death and darkness.  It is on the final world, Allivar, which means The One Family, converges with their created beasts and demons.  Arimar at birth is rushed and veiled until he reaches the age of wisdom and is then called to set off on his task.  Having free will he almost commits suicide for the stress is too high with the expectations placed on him from prophecy, which is no more than a test.

Now that you have an idea of the brief history, Arimar sets off on his journey, which is just as perilous as any you have ever read.  There is a journey to the north to confront a possessed king and then there is a journey home through a land where evil’s creations are Bound to Forbidden Lands, with every step being a test of faith.

Then the final battle of good and evil arrives in Last Stand of the Living.  Here all the captains, the seventh son of he seventh generation of each race, rises from the fallen ages, to stand united. There in the battle, that is being lost, Arimar sees all that he loves: his captains and Elissia, whom he hopes to marry one day, sacrifice all they are, but appear to die to in a vain attempt.  When he could easily lose his faith, Arimar is given a choice, to leave with the Unseen and not experience death, or to stay and die with all that remains of his mortal family.  He then bargains with the Unseen that if he gives his own life, would the remaining peoples of the races be saved.  The Unseen asks if he would truly do such a thing.  Arimar offers it freely.

This is where I will tell you no more, because the battle takes a turn you will not see coming, yet was hinted over and over again in the first nine chapters of Rise of the Fallen. All I can say here, is that the battle is the largest I have ever read, which includes those found in the Lord of the Rings.  How is that for a teaser?

The moral is simple, are we the living more worthy of stewardship than the immortals?  Will the pain of loss and death teach us more of racial harmony and the stewardship of worlds?  Are we able to withstand every test and stand for our faith?  Will we, the living, stand against evil in all its forms and do what is right?  Are we worthy enough? We will not see the fleeting nature of life, and the futility of war and hatred?  We will understand the gift of life with all its pains?

This is the gist of the trilogy, then there are the upcoming Chronicles of Allivar, which is a parallel journey of history and events of the nine fallen worlds, the first six ages of Allivar and the final story in the seventh age – the age of light.  When you complete the trilogy you will understand the nature and path of the chronicles.  The first in this series is titled – The Fall of Helloria.

Seven is a significant number for it represents perfect completion.  This is a hint for you as a reader.  All you need to do is take a leap of faith and enter my world of Allivar.  You will think, you will cry, but I promise you this too… you will cheer.

This is a mythology covering creation, life and the end of the ages.  Those who love The Silmarillion, The Hobbit and The Lord of the Rings should easily understand the context and construct of my stories.

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Faith

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Since late 2011, I have been promoting my trilogy, The Chosen One of Allivar.  The story is a mythology which requires creation, life and end of times.  I’ve sold quite a few, but reviews and ratings have been very, very difficult to receive.  I’ve been told it is very good, but apparently posting a review is too difficult.  I have restrained myself from marketing it as a faith based story, because too many would never read it.  Chapter one in Rise of the Fallen starts out very similar to Genesis.  The tale of the fallen Charafuse (Angels) is very similar to that of the Satan story, and there are many inferences to stories in the Bible.  I did this for a marketing purpose, to bring familiarity to my story of the three Abrahamic religions of which there are more than a billion potential readers, nothing more.  What may appear as a religious story, is not. Here is a definition of religion:

Religion is an organized collection of beliefs, cultural systems, and world views that relate humanity to the supernatural, and to spirituality.

Since we live in a period of history where mythologies, even with the slightest hint of a creator, is deemed religious by the secular society, I will then market the trilogy and the upcoming 16 chronicles stories as a series of stories of faith, hope and spirituality.  In the end, the story is about mankind’s ability to be proper stewards and provides thought on immortal life.  It revolves around free will, family, spouse, children, races, and even the animals.

In the year 1999, I was challenged by a friend to write a story centered around a creator as the source of good, rather than the benign references in many stories.  Stars Wars has the “Force”, Lord of the Rings had the power of the elves given to them by Eru (The One), and Narnia has Aslan the Lion who is a representation of Jesus.  Robert Jordan, the author of The Wheel of Time has a creation story very similar to Christianity. George RR Martin refers to the old and new gods.  Gods lay down laws and the expectations of their creations.

In the end, the story is one about faith in something greater than ourselves and how one man is chosen to deliver the enslaved and a message to all of the living. The words Chosen One, do not refer to Christ.  Christ was God incarnate.  My hero is a mere mortal, asked to rise to the greatest challenge of all – to unite the seven divided races and stand against evil, before there is nothing left but death, darkness and eternal silence.

You will notice many inferences to other mythologies such as King Arthur and that created by Tolkien.  You will see the influence of Dante’s Inferno and Milton’s Paradise Lost.  In its simplest of form it is derived from this popular quote:

“The only thing necessary for the triumph of evil is for good men to do nothing.”

It is spiritual, highly emotional and so very human of a story.  It is allegorical, it has meaning and a moral behind it.  Will we the living finally become the stewards we were meant to be?  This is the question and should challenge all those who have faith and hope that there is greatness in and after life.

So now I submit to all those who love stories of faith, whether it be Life of Pi, The Chronicles of Narnia, The Wheel of Time, or another story I have not yet read – take a chance on a timeless story of good and evil and faith in things unseen. I am not asking you to convert to anything, follow me, or start a cult, but to enjoy a story – that’s all.  I promise you will be crying and cheering at the same time.

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